Quite frankly, novels in verse are a mystery to me, one I find fascinating. I haven't read many verse novels, and I can't even begin to conceive of crafting a whole book from poems. (Probably because my high school poetry was horrendous, in the way that only 16-year-old-girl poetry can be.)
Here to satisfy my (and your!) curiosity about novels in verse is Cathy Ostlere, debut YA author of Karma (Razorbill, March 2011).
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What is a verse novel? For me, a verse novel is a series of linked poems that together create a narrative. I believe that the poems should be able to stand alone, each one expanding on an image, emotion, idea yet building to an overall theme. But, saying that, occasionally Karma does not achieve this. Some of the poems are more prose-like and a few are so short they are often just flashes of thought. In these instances, I consider the poems to serve as either necessary narrative exposition, links to other poems, or simply places for the reader to breathe.
Here to satisfy my (and your!) curiosity about novels in verse is Cathy Ostlere, debut YA author of Karma (Razorbill, March 2011).
---
What is a verse novel? For me, a verse novel is a series of linked poems that together create a narrative. I believe that the poems should be able to stand alone, each one expanding on an image, emotion, idea yet building to an overall theme. But, saying that, occasionally Karma does not achieve this. Some of the poems are more prose-like and a few are so short they are often just flashes of thought. In these instances, I consider the poems to serve as either necessary narrative exposition, links to other poems, or simply places for the reader to breathe.
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| Gorgeous cover! |
How do
you know if it’s the best format for your
story? Though it is sometimes impossible for a
writer to evaluate their own work (Will others like it? Will the book sell?), there is a definite
thing an author can determine for oneself: Does
the act of writing your story excite you?
Because I decided to
keep this unusually-crafted story to myself and not invite any readers or
comments, I found myself in a thrilling place. There were no niggling voices AND there were no rules: no
punctuation, no capitals, just free-floating thoughts and images, playful language,
and white space that conveyed dramatic silence. I have never before felt so free in my writing and so
risky. It was exactly those
feelings that made me believe this was the only way to tell my story – a crazy
conviction that if I was exhilarated, my reader would be too. Verse novels are leaps of faith. And the writer has to get to the end to
know what works.
What are the special
challenges of the YA verse novel?
I believe a writer is wise to remember that a verse novel is about the
poetic form and is not just a storytelling device that uses fewer words. The danger is that in a moment of
weakness (What happens next?) a writer may want to fall back on using prose
with line breaks, giving the impression but not the power of poetry. I confess, I did do this, but I tried
to be aware of it and at least suffuse the poem with strong imagery and descriptive
or playful language.
How to begin a verse
novel? Here is the first line that I
wrote in a journal over four years ago: India
was as noisy as a hundred black crows screaming/screeching/wailing like a
hundred pinched babies. I
liked the line. I was curious as
to what might come after it. And so, Jiva clung to the sound. And then I just kept on going. Being curious. What else did Jiva cling to? I kept on writing. Short bursts. Fifteen minutes.
Half an hour. I just kept
putting words down and allowing the images to fill the page – sounds, colours,
texture, smells, emotions. And I
kept asking, Who is this girl? Other questions that might drive a
novel –
Why did it happen?
I remember that day.
Things could have been different if only.
It was his/her fault.
I don’t understand. Am I the
stupid one?
By the way, those first lines I wrote never made it into the book.
Final thoughts. Karma
was indeed edited by Penguin editors but only for narrative arc and
character. They never touched a
word, line, or image. It was a
remarkable experience: to have one’s writing accepted so wholeheartedly. I’d like to wish good luck to any
writer desiring to experience the verse novel. I highly recommend the exercise; its gifts are enormous.
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Thank you so much, Cathy! Karma sounds fabulous!
Cathy
Ostlere holds a bachelor’s degree in literature from the University of
Manitoba. Her first book, Lost: A Memoir (2008), began as a series
of poems but grew into creative non-fiction essays. Essays excerpted from Lost
have been short-listed for the National Magazine Awards, Western Magazine
Awards, and the CBC Literary Awards. Lost: A Memoir was a finalist
for the 2009 Edna Staebler Creative Non-fiction Award. In 2010, she
co-wrote the play, Lost: A Memoir, presented by Theatre Calgary. The production will tour Canada over
the next two years. Her first novel, Karma, a verse novel written
for young adults, was released in March 2011 by Penguin Group Canada/USA. She lives in Calgary, Canada.
Links:
Go buy yourself some good Karma. (Ok, I couldn't resist the pun.)
Check out Cathy's webite!
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